Learn San Jose style popping, strutting and flowmation from one of the originators, Money B

Have you desperately wanted to learn the San Jose way of popping and strutting from the one and only Money B, but could never get ahold of him or his management team (aka his wife Des)?

Well, I set out to solve this problem that millions across the world face every single day.

Introducing...

The Money B Playbook for Strutting, Popping and Flowmation

holy crap I don't need to hear another word, sign me up this INSTANT!

No more waiting on Money B to accept your message request!

For years I sat by and watched hungry dancers and dance lovers alike, all over the globe, struggle to get access to Money B. Having retired from dance to focus on being a family man, he was difficult for even me to reach—despite being crew mates and practically next door neighbors. I thought to myself, “There just has to be a better way...”

So I finally did what no one else could: after a year of persistent nagging—from his wife, his kids, his brother, his long time crew mates, and basically everyone around him—I finally dragged him into the recording studio! The result? A once-in-a-lifetime chance for you to learn from one of the realest OGs without ever leaving your home!

Skip the travel time and travel costs, and get 30 exclusive videos totaling 3 hours of instruction, that you can playback as many times as you wish. For a lifetime.


What is "popping" and where did it come from?

Everywhere I go, I see how far misinformation about popping’s origins have spread. So let me say this plainly: Popin' Pete and Boogaloo Sam were not the creators of popping and boogaloo. The dances started in California, but not in the city of Fresno.

Although it's now often reduced to the “hit,” or muscle contraction on the beat, in its early years popping was a much broader and deeper expression of funk music, born into a continuum (from jazz, blues, and soul), shaped by the afrofuturism of bands like Parliament Funkadelic and the rise of the sci-fi genre. Popping was created from the cross-pollination of inter-school talent shows, where young dancers, fueled by the political unrest and cultural awakening of the 1960s-80s, pushed the collective imagination.

Los Angeles had Soul Train. Fresno had Pete and Sam. But Oakland had an extraordinary amount of funk—as one of the crucibles where the genre was innovated, localized, and given a political edge.

During the Second Great Migration (1940s to 70s), an influx of Black musicians from the South created a thriving music and dance scene in West Oakland and in San Francisco’s Fillmore district. Together the two were known as "the Harlem of the West," mirroring New York’s epicenter of Black culture on the East Coast. The artistic vitality and political fire of Oakland's culture, music, and social justice movements (including the Black Panther Party), blended Black power aesthetics and political radicalism with the raw energy of funk.

From Oakland and San Francisco, countless young pioneers carried the likes of boogaloo, strutting, robotting, and popping, across cities like Richmond, Berkeley, Hayward, Union City, Fremont, San Jose, Modesto, Stockton, Sacramento, before the dances made their way down through the rest of California and on to the greater United States... and eventually the whole world.

Money B, Playboyz Inc, & the Legacy of San Jose Style Popping


Money B with Playboyz Inc in 1981

Playboyz Inc was founded in East San Jose in 1981 by Robert “Playboy Rob” Sabala (1967–1999), and has become one of the Bay Area’s oldest active and most influential popping and strutting crews. Central to their legacy is "flowmation": a San Jose originated approach to popping and strutting that emphasizes liquid-smooth transitions where styles melt seamlessly into and out from one another, while balancing increasingly intricate techniques and storytelling.

As San Jose transformed from immigrant working-class neighborhoods into tech campuses and overpriced housing developments, this dance carries the essence of a different San Jose—one rooted in garage practices, recreation centers, street battles, school rallies and talent show stages. Popping isn't just a set of tricks for winning dance competitions; it’s a living archive of the city’s history and the African American, Chicano, Samoan, and Filipino artists (among many others) that once filled its neighborhoods with movement, music, culture and style.

Born and raised in East San Jose, Bryan Moreno, better known as Money B, was recruited into Playboyz Inc at just 12 years old, making him the youngest member of the crew. He has been dancing since he was 6 years old in the early years of popping during the mid-1970s. Today he is the longest-active member of Playboyz Inc, and its current head.

For nearly five decades, Money B has defined, pioneered, and carried San Jose's unique take on popping and strutting, shaping generations of dancers and sharing its influence on stages and in communities across the globe.

Money B’s online course gives dancers rare access to the foundations of San Jose's street dance traditions. Rather than focusing on rigid, mechanical breakdowns, the lessons draw from B’s lived experience — offering not just technique, but also the perspective of someone who grew up inside the music, neighborhoods, and crews that gave birth to the style.

Since 1981, Playboyz Inc has been an integral part of American street dance history. Now, for the first time, you can learn online directly from the OG Bryan Moreno, better known as

MONEY B

with 30 exclusive video tutorials capturing the essence of popping, waving, strutting, flowmation, and more.

How the Playbook Came Together

I'm My-Linh Le. Within the global dance scene, I'm recognized for my work in documenting and archiving the stories of elders across dance styles and communities. I do my best to translate complex movement into accessible, step-by-step instruction for beginners while honoring the cultural and historical roots of the dance. My role in this project reflects my larger commitment: to preserve, document, and pass on histories of Bay Area dancers while making it approachable for new generations of dancers worldwide.

My journey in popping began as a teenager in the mid-2000s in San Jose, where I trained under Aiko of Jam Patrol at the Alum Rock Youth Center. Many years later in 2014, under Money B's mentorship, I became the first ever woman invited to represent Playboyz Inc (breaking its then 33-year history as an all-male group), earning the nickname: The Original Playgirl—a title with layered associations that I took on to flip and make my own (the same way I approach everything), placing it firmly in the dance world as a marker of respect and originality.

For this online course, I served as the producer and director — filming, editing, and organizing the material so that Money B’s teachings could be shared with a wider audience. I also provide free supplemental tutorials to help students new to dance, ensuring that both the essence of Money B’s legacy and the technical breakdowns needed for beginners are part of the learning experience.

As one of the few street dancers with advanced degrees (including a B.A. and M.F.A. in dance), "street dance pedagogy" is kind of my thing. For example, I redesigned and co-authored Jardy Santiago's online house dance program in 2018 which has helped nearly 2,000 students learn house!

This is me performing with my fellow crew mates (from left to right) Sam, Tino, Jermz, and Maze, 2015

preserving and transferring

Culture, History & Innovation

When I look at each of our journeys, it sure seems like San Jose has a way of creating full circles: First recruited into the crew as its youngest member, and now its longest-standing leader nearly five decades later, Money B has carried Playboyz Inc from its earliest battles into the worldwide name it is today.

My own path first led me to Aiko—the only woman I had ever seen holding it down in all of the Bay Area, and an incredibly smooth dancer with unmatched style who made sure I understood the importance of developing my own. Years later, it brought me to Money B, the first leader of Playboyz Inc to include women in its lineage.

We could have been born anywhere else, but we ended up in San Jose—the city that birthed my favorite style of dance. We could have grown up somewhere where popping was just a blip of a trend. Instead, we were lucky enough to be inside the very community that co-created it, surrounded by the people who lived it, breathed it, and carried it through generations. That shared background feels like coming full circle all over again, with both of us neighbors in Sacramento after San Jose’s “development” displaced most of Playboyz Inc from our hometown.

Sonic Wavers

Money B and Playboy Rob, 1982

Because of all these interconnected stories, I feel a sacred calling. This dance isn’t just a collection of moves and techniques; it’s an incredible vessel of many stories, created, guarded, and passed on by many hands before mine. When I think of all of those people who have given a piece of themselves to the dance, the sense of responsibility to honor and carry it forward only deepens. That’s why I put this course together with Money B—so the legacy of this dance continues to grow in the right hands.

Money B's Playbook for Strutting, Popping and Flowmation is about more than just dance—it’s about community, people, culture, and pride in where we come from. It's a reflection of Money B's contributions to the culture and to the Bay Area legacy: San Jose's unique style of popping and strutting lives on through the spirit of Playboyz Inc. The next chapter could start with you. Are you ready to start learning?

If you've read this far, you might be wondering: "Is this course right for me?" or "Am I right for this course?" Take the short quiz below to find out.

If you are just starting out, don’t worry — I will be regularly adding free tutorials to the Freebies page to help you gain the confidence you need to jump right in with Money B when you're ready.

What's Included in the Course?

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